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More than Museums: How Abu Dhabi is using culture to shape national identity and global influence

Saadiyat Island's museums part of strategy that uses culture as tool for nation-building, diplomacy
17 May 2026 22:50

MAYS IBRAHIM (ABU DHABI)

While the UAE's rapid transformation is often framed through skylines and mega projects, a parallel effort focused on memory, belonging, and continuity is taking shape.

Along the Gulf coastline of Saadiyat Island, some of Abu Dhabi's most iconic museums emerged as part of a strategy that treats culture as infrastructure for nation-building, diplomacy, and long-term social development.

Far more than repositories of artefacts, these institutions function as civic spaces that preserve heritage, shape collective memory, support education, and project the UAE's cultural identity onto the world stage.

Within the Saadiyat Cultural District, the Zayed National Museum tells the UAE's story through the legacy of its Founding Father, the late Sheikh Zayed bin Sultan Al Nahyan.

"The museum stands as a tribute to his enduring legacy, honouring his commitment to knowledge, unity, and the preservation of Emirati identity," Moaza Matar, Director of the Curatorial and Collections Management Department at Zayed National Museum, told Aletihad.

Instead of freezing it into a fixed historical narrative, the museum positions Emirati identity as something dynamic, yet rooted in heritage.

"The museum seeks to tell the story of the UAE as a living, evolving narrative," Matar explained. "One that connects the past, present, and future."

The museum's collection spans more than 3,000 objects, with approximately 1,500 currently on display across six permanent galleries.

The visitor journey starts with Sheikh Zayed's personal legacy, before expanding into broader stories about the people and landscapes that shaped the UAE over thousands of years.

Displayed artefacts collectively chart the UAE's transformation from ancient settlements to modern nation-state: one of the world's oldest natural pearls, Bronze Age burial objects, Islamic manuscripts, pearl-diving tools and objects connected to the country's early education and healthcare systems.

Yet, Matar stressed that the Zayed National Museum was never conceived as a tourism initiative.

"Its primary purpose is cultural: to preserve, research, and share the history, identity, values, and heritage of the UAE for current and future generations," she said.

"We do not measure the value of a national museum in financial terms alone, but rather in its ability to generate lasting cultural, social, and intellectual impact."

That approach is especially visible in the museum's community-led initiatives, including travelling public programmes that bring conversations about heritage into communities across the UAE.

Sessions were already held in Dubai and Ajman, with future engagements planned in Al Ain, Sharjah and Fujairah.

The idea, Matar said, is to ensure heritage is understood not as something static and preserved behind glass, but as "both preserved and lived".

Where Visitors Live and Feel Their Heritage
A similar emphasis on heritage and identity runs through Al Ain Museum, though through a more archeological lens that traces older settlement histories in the region.

"Al Ain Museum tells a unified story of the UAE," Omar Alkaabi, Director of Al Ain Museum, told Aletihad. "It describes a nation that is deeply rooted in history, yet shaped by vision and progress."

Originally established in 1969 by Sheikh Zayed himself, the museum recently underwent a major redevelopment.

It now features expanded galleries, digital storytelling tools, and newly uncovered archaeological discoveries found beneath the site itself, including ancient irrigation systems and pre-Islamic tombs.

The redesign was intended to create a more immersive experience that allows to visitors "live and feel their heritage", according to Alkaabi.

The museum attracted approximately 93,460 visitors within roughly 10 weeks of reopening in October 2025.

Ancient aflaj irrigation systems, central to Al Ain's UNESCO designation as a world heritage site, feature prominently throughout its galleries.

Those discoveries reinforce one of its core storytelling themes: that innovation and adaptation have long defined life in the UAE. Overall, the museum's collection includes approximately 1,800 archaeological artefacts dating back thousands of years, including Bronze and Iron Age tools, jewellery, and evidence of early settlement systems.

But like the Zayed National Museum, Al Ain Museum defines its role as an educational and research hub beyond preservation alone. "Today, the museum functions as an inclusive learning space for families, students and researchers," Alkaabi said.

It leverages digital tools, interactive displays, and immersive storytelling to make the history of Al Ain region more engaging and accessible for visitors

The Arab World's First Universal Museum
Louvre Abu Dhabi, located within the Saadiyat Cultural District, operates on a broader geopolitical level. Conceived as the Arab world's first "universal museum", it presents itself as a space where cultures are placed in dialogue rather than isolation.

"Louvre Abu Dhabi was founded on the idea that human creativity and knowledge are deeply interconnected," Dr Guilhem André, Scientific, Curatorial and Collections Management Director at the museum, told Aletihad.

Rather than organising history along civilisational or geographic lines, the museum juxtaposes artworks from different regions and eras around shared themes such as religion, trade, power and artistic expression.

"This approach reflects the UAE's long-standing vision of openness and exchange, rooted in its history as a crossroads between East and West," André said.

The museum also serves as a platform for regional cultural voices. Through exhibitions such as "Art Here" and collaborations with Gulf artists, writers, and thinkers, the museum attempts to integrate regional perspectives into a wider global art historical framework.

"Local and regional perspectives are not treated as a separate category," André said. "They are embedded within the broader narrative of global art history."

Education is also central to the museum's offerings. In 2025 alone, Louvre Abu Dhabi engaged more than 67,000 students through school programmes, university partnerships and initiatives designed for families, people of determination, and wider community groups.

Its current collection includes more than 6,000 artworks. At present, over 650 works are on display within its permanent galleries, comprising pieces from the Louvre Abu Dhabi collection alongside international loans that support the curatorial narrative.

It welcomed about 1.4 million visitors in 2024 and 2025 - the museum's highest sustained levels since its launch in 2017.

"For international audiences, Louvre Abu Dhabi offers an insight into the UAE as a place that values culture, scholarship and global dialogue," André said.

"It presents the country not only as a custodian of history but as an active contributor to contemporary cultural conversations."

The museum's philosophy mirrors Abu Dhabi's wider balancing act: asserting a strong national identity while simultaneously positioning itself as globally connected and culturally open.

The UAE Story in Lines and Rays of Light
Architecture itself plays a role in that narrative. At the Zayed National Museum, Foster + Partners designed five soaring steel structures inspired by the wings of a falcon in flight, referencing a practice deeply embedded in Emirati heritage.

The museum also incorporates environmental design principles inspired by traditional barjeel wind towers.

At Louvre Abu Dhabi, Jean Nouvel's vast dome filters sunlight into what the architect famously described as a "rain of light", drawing on the experience of shade and filtered sunlight in traditional Arab settlements.

While these institutions differ in scale, philosophy and audience, they all share a common objective: to position culture not as decoration, but as a foundational part of the UAE's future.

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